2017-2018 Season
A Chorus Line
Conceived and originally directed and choreographed by Michael Bennett
| Music by Marvin Hamlisch | Scenic Design by Cheri Prough DeVol |
| Lyrics by Edward Kleban | Costume Design by Stacey Johnson |
| Book by James Kirkwood and Nicholas Dante | Lighting Design by Ethan Jones |
| Directed and Choreographed by Cassie Abate | Sound Design by Jason Tayler |
| Music Direction by Greg Bolin | Production Stage Manager: Blane Mackenzie Barton |
A Chorus Line Reviews
"Not only does this production reassert the power of the show, but it also puts a huge spotlight on the immense amount of talent that the Department of Theatre and Dance is turning out." -Austin 360
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Texas State University's A Chorus Line
A Doll's House
| By Henrik Ibsen | Lighting Design by Noah Christopher Allen |
| Translated by Nicholas Rudall | Sound Design by Ethan Jones |
| Directed by Bruce Turk | Production Stage Manager: Molly McCarville |
Perfect Pie
| Written by Judith Thompson | |
| Directed by Carly Conklin | Lighting Design by Miriah D. Borden |
| Scenic Design by Alejandra Hernandez Gomez | Sound Design by Ryan J. Castaneda |
| Costume Design by Emily Tyminski | Production Stage Manager Diamond Morgan |
We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884–1915
| Written by Jackie Sibblies Drury | Lighting Design by Darwin Esquibel |
| Directed by Isaac Byrne | Sound Design by Flora McNabb |
| Production Stage Manager Sarah Hudson | |
Hamlet
| Written by William Shakespeare | Lighting Design by Andrew McIntyre |
| Directed by Liz Fisher | Sound Design by Nick Hart |
| Scenic Design by Michelle Ney | Production Stage Manager Andrew Gutierrez |
| Costume Design by Brandon R. McWilliams |
Speech and Debate
| Written by Stephen Karam | Projection Design by Cheri Prough DeVol, Max Wallace |
| Directed by Tom Delbello | Lighting Design by Carlos Nine |
| Scenic Design by Michelle Ney, Cheri Prough DeVol | Sound Design by John Michael Hok |
| Costume Design by Ryan Sozzi | Production Stage Manager by Corey Nelson |
The Rivals
| Written by Richard Brinsley Sheridan | Costume Design by Stacey Herrison |
| Directed by Michael Costello | Lighting Design by Miriah D. Borden |
| Scenic Design: Annalise V. Caudle | Sound Design by Hank Kersten |
| Production Stage Manager Ellen Greetham |
Instructions for Dancing
| Written by Andrew Heinrich | Costume Design by Alexander Stearns |
| Directed by Bruce Turk | Lighting Design by Sydney Rhiannon Smith |
| Scenic Design by Gary Thornsberry | Sound Design by Dawn Tompson |
| Production Stage Manager Diamond Morgan |
Zu's Earth
| Written by Sydney Rushing | Lighting Design by Amy K. Evans |
| Directed by Isaac Byrne | Sound Design by Max Wallace |
| Production Stage Manager Andrew Gutierrez |
Tales of the Lost Formicans
| Written by Constance Congdon | Scenic Design by Cheri Prough DeVol |
| Directed by Neil Patrick Stewart | Costume Design by Madison Cagle |
| Choreographer by Lynzy Lab | Sound Design by Nick Hart |
| Production Stage Manager Connor Feagin |
Ragtime
| Book by Terrence McNally | Music Direction by Austin Haller |
| Music by Stephen Flaherty | Scenic Design by Brandon M. Newton |
| Lyrics by Lunn Ahrens | Costume Design by Marissa L. Menezes |
| Based on the Novel Ragtime by E.L. Doctorow | Lighting Design by Annalise V. Caudle |
| Directed by Michael Rau | Sound Design by Cody Baker |
| Choreographed by Kiira Schmidt-Carper | Production Stage Manager Tyler Osgood |
Texas State University's Ragtime Reviews
"These young performers deliver moving and heartfelt work that is universally exceptional."- BroadwayWorld.com
"...the school has assembled an artistic critical mass that allows it to fill and paint the stage with such an overabundance of talent..."-CTX Live Theatre
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