Cassie Abate, M.F.A.
Cassie Abate heads our Musical Theatre Dance area. Cassie originally hails from Sarasota, FL and has spent the better part of the last decade working as a professional in New York City. Cassie received a BFA in Musical Theatre from The University of Miami and an MFA in Musical Theatre from San Diego State University.
Deb Alley, M.F.A.
Deb Alley joined the faculty at Texas State University in 2013 and teaches directing to graduate and undergraduate students. Prior to her arrival in Texas, she was head of the Master of Fine Arts directing program at Illinois State University where she received the University’s Outstanding Teacher award in 2005.
Natalie Blackman, M.F.A
Natalie is an actor, singer, teaching artist, voice and dialect coach, and creator of community-based theatrical experiences for enabling dialogue and social change. Natalie has been seen on stages in New York City and regional stages such as The Illinois Shakespeare Festival, the Utah Shakespeare Festival, and Pioneer Theatre Company. Her solo show, Disorder, was a bestseller and award winner at the United Solo Festival in New York City, the world’s largest solo theatre festival. Natalie is also certified by the National Council for Behavioral Health as a Mental Health First Aid Instructor. Natalie holds an MFA in Civic Engagement and Classical Acting from Illinois State University and a BFA from the University of Utah's Actor Training Program. www.natalieblackman.com
Greg Bolin, D.M.A.
Greg has been the Music Director for Texas State’s Department of Theatre and Dance since 2010. He has twice been named Best Music Director by Austin Critics’ Table, and has provided orchestrations for Larry Grossman’s The World According to Snoopy and Andrew Lippa’s A Little Princess, along with Zachary Scott Theater’s Porgy and Bess (special citation, Austin Critics’ Table).
Greg received his doctorate in composition from the University of Texas. His piece, Fleisher Pass (2007), was premiered in Japan, and was included in the sixth volume of Better Teaching Through Performance in Band. He has completed two chamber operas courtesy of grants from the National Endowment for the Arts.
Susan Busa, M.F.A.
Susan currently teaches Screenwriting, TV Writing, and Web Series creation at Texas State University. She was also the co-owner of the family entertainment company, UpStage Theater and has taught writing, creativity classes and drama to adults and children through the Austin Community College RTF Department, Go Dog! Creative, UpStage Theater, Just Imagine Productions and privately for more than 20 years. She studied with famed acting and writing coach Judith Weston and was a James A. Michener Fellow in Screenwriting at the University of Texas at Austin where she was awarded a M.F.A. in Writing in May 2000.
Michael Costello, M.F.A.
Michael served as Head of Acting at Texas State from 2006-2014. He joined the faculty at Texas State University in 2001 having previously taught graduate acting at the Florida State University/Asolo Conservatory for Actor Training and in the FSU graduate Film Conservatory. In addition, he has taught at the University of Texas-Austin, Virginia Commonwealth University, and St. Edwards University.
Michelle Dahlenburg, M.F.A.
Michelle Dahlenburg creates playful, welcoming spaces for creativity, authentic connection, and dialogue. As a theatre artist, facilitator, and audio producer, she works at the intersection of art and community, civic, and social change, often exploring contested or transitional spaces.
Cheri Prough DeVol, M.F.A.
Cheri Prough DeVol is an Assistant Professor of Scenic and Lighting Design at Texas State University. She has her MFA from the University of Texas at Austin. To view more of her work please visit www.devol-design.net.
Babs George, M.F.A.
Babs George founded the State Theatre School of Acting in 1993 and has been the Director since its inception. She is a professional actress and has been a member of SAG and AEA for 30 years. Babs graduated Magna Cum Laude with a BFA in Performance from the University of Utah, and an MFA in Classical Acting from The Shakespeare Theatre’s Academy for Classical Acting at The George Washington Univ.
Kate Glasheen, M.F.A.
Kate Glasheen is an actor, voiceover artist, dialect coach, and voice & speech specialist. At Texas State she teaches vocal health and production, verse and scansion, text analysis, the International Phonetic Alphabet (IPA), and dialects. Kate earned her MFA in Voice Studies from the Royal Central School of Speech & Drama, University of London. Member: SAG/AFTRA, AEA, Voice & Speech Trainer's Association (VASTA), Association for Theatre in Higher Education (ATHE).
Sheila Hargett, M.F.A.
Sheila has been Head of Costume Design/Technology at Texas State University for the past thirty-five years having designed costumes for more than one hundred productions and supervised student designs for as many. She has designed regionally for The Dallas Shakespeare Festival, Southern Methodist University, Eastfield College, Texas Playwrights Theatre Company, Live Oak Theatre, Zilker Theatrical Productions, as well as for Texas State University.
Erin Kehr, M.F.A
Erin has been practicing theatre for over 25 years in various roles including Scenic and Projection Design, Technical Direction, Scenic Painting, Directing and Prop Master/Supervisor. He received his BFA in Scenic Design from The Theatre School at DePaul University and an MFA in Technical Production from Florida State University. In the department of props, Erin has formerly worked as Prop Master at TheatreWorks and Opera San Jose in the Bay Area of California, Seaside Rep in Seaside Florida, and Assistant Prop Master at the Alley Theatre in Houston. Additionally, he was Prop Supervisor and Adjunct Professor at Florida State University’s School of Theatre for 9 years. Erin is currently Prop Supervisor/Lecturer at Texas State University.
Kaitlin Hopkins, Professor of Practice
Kaitlin Hopkins is the founder of the Musical Theatre program and brings with her over 35 years of experience working internationally, on and off Broadway, regional theatre, film, television, opera and radio. Kaitlin has a half dozen cast album credits to her name, originating the roles of “Meredith Parker” in the critically acclaimed Bat Boy-the Musical, for which she received Drama Desk and Ovation award nominations, “Claire” in the cult-hit Bare: a pop opera, “Jeannie” in The Great American Trailer Park Musical and “Diane” in Disney’s On The Record (National Tour).
Lauren Lane has worked with some of the countries leading theatre artists: Oskar Eustis, Tim Robbins, Suzan-Lori Parks, Lisa Peterson, Ellen McLaughlin and Bob Krakower among many others. She starred in three television series: The Nanny, L.A. Law and Hunter. She has won numerous awards for her work as an actor including the LA Critics award, Austin Critics Circle award and multiple B Iden Payne awards. As Head of Acting at Texas State University she is proud to have former students currently working on Broadway, off Broadway, in Film and Television and regional theatres all over the country.
Nick Lawson, M.F.A.
Nick Lawson hails from Santa Cruz, CA. He received his BFA from Chapman University in Orange County, CA and his MFA from the Alabama Shakespeare Festival in Montgomery, Al. As a performer, Nick has performed theatre on both coasts, specializing in Shakespeare. As a teacher, Nick has dabbled in Chekhov and Shakespeare as an adjunct professor at Montclair State University, stage combat for high school students in Austin (Austin Shakespeare), and improv and theatre to elementary and middle schools throughout the country.
EUGENE LEE's career as an actor goes back as far as Good Times, The White Shadow, The Guiding Light, and playing coroner on The District on television to The Women of Brewster Place with Oprah Winfrey and recently Blacklisted, and Coach Carter on the screen to name a few. His stage career goes as far back as the Pulitzer Prize winning A Soldier’s Play by Charles Fuller with the Negro Ensemble Company to a recent Broadway appearance in August Wilson’s Gem of the Ocean.
Sarah EC Maines, M.F.A. - Department Interim Chair
Sarah EC Maines is a Lighting Designer and teacher who has valuable experience, knowledge and passion for theatre. She has worked primarily in commercial theatre, enjoying the high paced atmosphere of Broadway and First National Tours. She earned her MFA in Theatrical Design with a concentration in Lighting from the University of California, San Diego under the mentorship of Chris Parry. Her BA in Theatre and BS in Telecommunications Production were earned from the University of Florida. UF recognized her achievements with the College of Fine Arts’s “Outstanding Young Alumnus” Award in 2006. She is a member of United Scenic Artists – Local 829.
Marqui Maresca began her career as a professional performer while in high school. She graduated with a B.A. in theatre from UCLA and immediately headed to New York to begin rehearsals for the National Tour of Saturday Night Fever. While on this tour she met her husband, Michael Maresca, and after spending several years working in the industry in Los Angeles, they co-founded MMOV Studios in 2010. She began teaching for Texas State University in 2013, and in 2015 she joined the Musical Theater Voice team as a Certified One Voice Coach.
In the last decade, Michael has worked with tens of thousands of singers across the globe changing how they understand the human voice and how to build it. As the creator of the One Voice theories, technique, and training, he has certified multiple coaches who now teach throughout the United States. Michael teaches in person exclusively for the Texas State Musical Theatre Program, and along with the other certified One Voice Coaches, he trains commercial singers worldwide online and in masterclasses.
Ana Martinez, Ph.D.
Ana Martínez teaches theatre history, theory, and criticism. Her fields of specialization are theatre practices in Mexico, Latin American drama, and performance design. Her book, "Performance in the Zócalo: Constructing History, Race, and Identity in Mexico's Central Square from the Colonial Era to the Present" (University of Michigan Press, 2020) is the first full English-language manuscript to address the ways in which the material center of the Mexican capital, the Zócalo, manifests and contests its symbolic power through performances practices. Her performance designs and installations have been shown in the US, England, Germany, and Mexico. She holds a doctoral degree in Theatre Studies from the City University of New York Graduate Center, an MA in Scenography from Central Saint Martins College of Art and Design in London, and an Architecture degree from Universidad Anahuac in Mexico City.
Brandon R. McWilliams, M.F.A.
Designer, Brandon R. McWilliams holds a Bachelors of Fine Arts in Theatre Studies from The University of Texas at Austin and a Master of Fine Arts in Costume Design from the Carnegie Mellon School of Drama. He has designed regionally for the past fifteen years and is the recipient of the Zelma H. Weisfeld USITT Costume Design Award and two-time recipient of the Elizabeth Shrader Kimberly Award in Costume Design. His work has been on display at the Prague Quadrennial ’07, as well as at the Carnegie Mellon University campus in Qatar. He has taught at Carnegie Mellon University, Salisbury University, the University of North Carolina at Charlotte, Louisiana State University and currently heads the costume design program and serves as head of graduate studies at Texas State University. www.brmcwilliams.com
Toby Minor, B.E.
Toby Minor is the Stage Combat instructor for the Department of Theatre and Dance at Texas State University. He has been certified Actor Combatant with the Society of American Fight Directors (SAFD) for 16 years. He has choreographed violence at Texas State for Romeo and Juliet, Fool For Love, Norma's Rest, A Flea In Her Ear, A View From the Bridge, Evita, and Titus.
Nadine Mozon, M.F.A.
Nadine Mozon is an actress, writer and teaching artist whose acting credits include regional theatre, television and film. Mozon earned an MFA in acting from American Conservatory Theatre. Her poems have appeared in magazines, journals and anthologies, including Essence, Ms., Clarity, Lungfull, and A Gathering of the Tribes. Mozon is the Associate Artistic Director for the Black & Latino Playwrights Conference at Texas State University. Member: SAG/AFTRA, Equity, Association of Theatre Movement Educators.
Charles Ney, Ph.D.
Charles “Chuck” Ney is a professor of directing and acting in the Department of Theatre and Dance He has directed at New York City’s Working Man’s Clothes Theatre, Illinois Shakespeare Festival, Texas Shakespeare Festival, Idaho Repertory Theatre, the Kennedy Center and Manhattan Clearing House. He recently founded a new theatre company, Horizon Line Theatre, which produced a critically acclaimed production of ‘hang’ last fall. Chuck has been artistic director at Manhattan Clearing House Contemporary Performing Arts Center, Mary Moody Northen Theatre and Idaho Repertory Theatre. Bloomsbury’s Arden Shakespeare division recently published his two-volume Directing Shakespeare in America. Historical Perspectives was published in 2018 and Current Practices in 2016.
Michelle Ney, M.F.A.
Michelle has designed scenery and costumes for numerous theatre and opera companies, including Illinois Shakespeare Festival, Texas Shakespeare Festival, Idaho Repertory Theatre, The Colony Theatre (Los Angeles, Austin Lyric Opera and Austin Shakespeare. Michelle is Head of Design & Technology at Texas State University. Prior to joining the faculty at Texas State, she was on the design faculties at University of Idaho, University of Texas at Austin, and St. Edward’s University. www.michelleneydesigns.com.
Sandra Organ Solis
Sandra Organ Solis is an educator, a master teacher, prolific choreographer, arts administrator, inspirational speaker, and anti-racist activist. Trained in the English tradition of classical ballet in her hometown of Omaha, Nebraska, her career began as Houston Ballet’s first Black ballerina, promoted to Soloist, as that company rose to international stature under the Artistic Direction of Ben Stevenson. Ms. Organ founded and directed Earthen Vessels, a contemporary ballet ensemble in Houston, that diversified and educated the minority-majority of Houston’s population with relevant dance programming.
Phillip Owen, M.F.A.
Phillip Owen has designed sound for the theatre for over two decades, and has been an avid guitar player most of his life. Prior to serving as Lecturer in Sound Design at Texas State, he was the Lead Sound Engineer at the Alley Theatre in Houston. MFA, Yale School of Drama. M.Phil. Trinity College Dublin. www.phillipowen.com
Aimee Radics, M.M.
Aimee Radics brings her passion for musical theatre, collegiate teaching, and advocacy for mental and emotional wellness to the Texas State University faculty as Associate Music Director. She began her musical journey as a pianist and has since earned her bachelor’s degree in music and theatre and M.M. in Musical Theatre and Opera Conducting from Ithaca College, as well as completed Rock the Audition Teacher Training with Sheri Sanders. Her professional career in music direction has taken Aimee to a host regional theatres, cruise ships and university settings, with some of her most meaningful experiences including Into the Woods, Next to Normal, [title of show], 9 to 5, and Sunday in the Park with George. Aimee will be teaching Singing for the Actor and working collaboratively as a vocal coach and accompanist in the musical theatre program.
Jerry Ruiz, M.F.A.
Jerry Ruiz teaches directing at Texas State University. His directing credits include productions at Primary Stages, Denver Center for the Performing Arts, the Old Globe, Second Stage Theatre, Rattlestick Playwrights Theater, Playmakers Repertory Company, the Mint Theater Company, and Clubbed Thumb. He has developed work at the Public Theater, Atlantic Theater Company, Oregon Shakespeare Festival and the Playwright's Realm. From 2011 to 2015, he served as curator for the Crossing Borders festival of new plays at Two River Theater in New Jersey. He was a recipient of the 2009–2011 NEA/TCG Career Development for Theatre Directors Grant and a Van Lier Directing Fellow at Second Stage, 2007-2009. Member of SDC.
Vlasta Silhavy, M.Ed.
Vlasta Silhavy is the new Head of the BFA Theatre Certification program at Texas State University. She currently teaches creative drama, theatre curriculum development, theatre in education, and directing theatre activities. Ms. Silhavy is also a member of the Texas State University C3 Advisory Board Committee. In addition to her teaching responsibilities, Ms. Silhavy is also the sponsor for the theatre co-ed fraternity, Alpha Psi Omega.
Colin Shay, M.F.A.
Colin is the Program Faculty Technical Director here at Texas State University. Originally from Indianapolis, he holds a Bachelor of Science in Recording Arts from Indiana University’s Jacobs School of Music as well as a Masters of Fine Arts in Technical Production from Florida State University.Before coming to Texas State, Colin served as the Technical Director at Utah Festival Opera & Musical Theatre. Additionally, he has held the positions of Technical Director at Creede Repertory Theatre and the Assistant Production Manager at Butler University.
Shane Smith, M.F.A.
Shane K. Smith is an Associate Professor and Head of Technical Production for the Department of Theatre and Dance at Texas State University – San Marcos. Shane is also a practicing stagehand continuing to work with various theatre companies in the Austin, Texas area and is often found backstage as Head Carpenter for the Austin Lyric Opera. Shane is a Texas State graduate with a degree in Education and holds an MFA in Technical Design and Production from the Yale School of Drama.
Neil Patrick Stewart, M.F.A.
A teacher of acting, characterization, and improvisation at TXST, as well as an actor, writer, and decorated director. Neil holds a B.A. in theater from Wesleyan University and an M.F.A. in acting from the world-renowned American Repertory Theatre/Moscow Art Theatre Institute for Advanced Theatre Training (A.R.T.) at Harvard University. Neil is also a writer, with two books on the shelves of major bookstores: Fact. Fact. Bullsh*t! and Headlines! Headlines! Headlines?, and numerous articles in magazines.
Yong Suk Yoo, M.F.A.
Since 2002, Yong Suk Yoo has founded many multi-disciplinary performance groups throughout South Korea. His plays and productions were instrumental in vitalizing the value of community-based public arts by renovating alternative spaces and launching various independent performances. He also taught at various institutes and universities. Yong Suk’s focus in his art and teaching has led to a mastery of the global contemporary understanding of the arts, performing arts and the ability to engage in interdisciplinary practice, uniting more that one field of knowledge. If Yong Suk’s aesthetic is interdisciplinary, his artistic mission is internationalism. Yong is a strong believer that diversity, the inherent human need to be appreciated and respected for who we are in all our differences, as a core value that every theater company, art school and organization needs to achieve. To go further global opportunity, he believes that artists themselves must drive new perspectives and links to new avenues of intercultural opportunity, which his own experience has proved. BA in Theatre and Film at Hanyang University in Seoul, South Korea; MA in Theatre at Hanyang University in Seoul, South Korea; MFA in Directing at California Institute of the Arts (CALARTS).